![]() Extreme long shot A shot in which the human figure would be extremely insignificant compared to its surroundings. ![]() (Contrast with Over the shoulder shot See also 180 degree rule) Extreme close-up A shot framed so closely as to show only a portion of the face or of some object. This technique is an important consideration in dialogues where actors are talking to each other. Eyeline match A type of continuity editorial match involving two or more, sequential shots in which the preceding shot contains an agent (a person, animal, etc.) gazing in the direction of some unseen, off-screen vision, and following shot(s) contains an image presumed by the spectator to be the object of the agent's gaze. This shot is also known as an Extreme Long Shot. ![]() Adding music is also a great way to make it more cinematic Ellipsis (linguistics) A term referring to "chunks" of time left out of a narrative, signaled in filmmaking by editorial transitions Establishing shot A shot, often a long shot, usually placed at the beginning of a scene to establish the general location of the specific action to follow. Editing The selection and organization of shots into a series, usually in the interest of creating larger cinematic units. Dolly zoom A powerful and dramatic effect produced by simultaneously trucking in or out while synchronously zooming out or in. ![]() Also known as trucking in and out, or right and left. A dolly shot is generally described in terms of "dollying in" or "dollying out". Traditionally dolly shots are filmed from a camera dolly but the same motion may also be performed with a Steadicam, gimbal, etc. Camera Dolly A wheeled cart or similar device upon which a movie camera is mounted to give it smooth, horizontal mobility.ĭollying or Dolly shot A shot in which the camera moves horizontally either toward or away from its subject, or right or left in relation to the subject. This transition generally suggest a longer period of narrative elapses than is suggested by cuts. Dissolve An editorial transition overlapping a fade in and a fade out in such a way that one image gradually disappears while another simultaneously emerges. Deep focus A technique in which objects in the extreme foreground and objects in the extreme background are kept equally in focus. Continuity editing An editorial style that preserves the illusion of undisrupted time and space across editorial transitions (especially cuts). Especially in narrative filmmaking, cross-cutting is traditionally used to build suspense or to suggest a thematic relationship between two sets of actions. Cross-cutting Cutting between different events occurring simultaneously in different locations. Cut An editorial transition signified by the immediate replacement of one shot with another.
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